Civil War veteran Josiah Grey comes to a small town to be a gospel minister. In time he has a family and many friends, but he also finds friction with a few of his parishioners. A young doctor grates at what he feels is the parson's interference in the scientific treatment of patients, and a mine owner resents Grey's protection of an old sharecropper whose small plot of land stands in the way of his continued mining. Grey must face a public health crisis and a lynch mob as a result, all seen and described through the eyes and memory of Grey's young nephew John.
Souls don’t always enjoy perfect health, you know, any more than bodies do.人的灵魂不总是完全健康的,就像是肉体一样。
雅克·特纳的镜头里,是一片被圣光沐浴下的净土。
看的时候感觉像是特吕弗的观感,一杯梨汁倒上
4星。抛开许多略显造作的剧情,电影依然有着高雅而动人的理想主义精神、深刻的人物形象和流畅简洁的叙述节奏。1.此外,虽电影布满旁白而缺少音乐,但并不显得格外梳理反而亲切。2.理性与精神的探讨发展与互补有些陈旧,但看到死而复生(这是只属于童话的扭转)的妻子还是感到有些欣喜和感叹。
雅克·特納在片中始終維持著一種近乎完美的(神性)「和諧」:善與惡,美與醜,光與暗,甚至科學與信仰的隔閡交替顯現,誰也沒能佔得上風,因為若沒有彼此,另一方根本就沒有存在的意義。相比起一些只需刻意凸顯人性本善/惡其中之一的膚淺作品,《俠骨慈航》達成目標的難度可見一斑。如果說,約翰福特的西部片講述的是圍繞「國家-文明」建立之前的一段艱險旅程,那麼雅克特納的理想主義,「不開一槍」的西部片則是描繪這個新世界應該有的樣子:一張寫滿千言萬語(上帝旨意)的白紙。
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