播放地址
剧情蓝本
Hollywood-style time travel tales like to focus their attention on cultural fads and fashions: clothes, music, slang, daily technologies. The ingeniously low-budget Irish sci-fi film LOLA has fun with all of that, but also investigates darker, more global questions like: what if Germany had won World War II?
Pieced together in dazzling 16mm as an imaginary collage of interlocking audio-visual documents from the 1940s, Andrew Legge, directing his debut feature, conjures the lives of two gifted and lively sisters, Thomasina and Martha. Left to their own devices as children, the pair has managed to create a machine that receives media broadcasts from the future. In their personal, cloistered, punk paradise, they embrace the rebellious styles of an age to come – The Kinks, David Bowie – but also discover, when military personnel move in, that history is a dangerous game to toy with. The ultimate question becomes: if mass media can change the world, can cinema miraculously restore it?
Just like the monument to bricolage created by its characters, LOLA is an inspired conceit in the style of Guy Maddin, Woody Allen’s Zelig (1983) and Peter Jackson’s Forgotten Silver (1996). It’s a surreal romp through scratches, glitches and speculative possibilities.
观众心声
太好睡了，高铁上一看就睡，睡着5次@D619
还挺喜欢这种故事。
小成本伪纪录科幻，奈何吃不下二战大饼，优点黑白画质老影像无缝连接
表面上铺了个改变历史逆转二战结果的大局，最终却只讲了个粗浅的关于时间穿越的老套寓言，结局仿佛一切从未发生的处理也照例鸡贼，但德三获胜的脑洞是可以的，然而小成本却又限制了IF历史这种题材最大魅力的展开，此外双女主对历史的干预过程处理的又过于简单儿戏，大卫鲍伊这种的穿越梗自然也显得廉价，总之眼高手低，题材可惜
我………可以说是非常不喜欢这部电影。在我看来非常儿戏。
现象级爆款 
科幻片周榜单